Imagine you’re watching someone draw. The artist starts with a few black lines and shapes. He fills in more detail, adds new lines, and reshapes space. He reveals something new, only to go back and fleshes out the picture, adding extra features. He shifts angles, starts to add in color, and little by little the drawing becomes complete. At the end, you’re left speechless.
This is how Catch-22 works. The story is nonlinear, and the reader gets large pieces of story or little bits here and there. The tale has a habit of doubling back on itself and meeting up with old narratives. Each new passage adds a greater understanding to the whole story. Continue reading “Catch-22”
